Pregnancy in Literature and Film

This expedition of the ways in which pregnancy impacts narrative begins with two canonical American texts, Nathaniel Hawthorne’s The Scarlet Letter (1848) and Harriet Jacobs’s Occurrences in the Life of a Slave Woman (1861). Counting on such varied works as Frankenstein, Peyton Location, Beloved, and I Love Lucy, the book chronicles how pregnancy evolves from a conventional plot gadget into a mature narrative kind. Specifically in the 20 th and 21 st centuries, the pregnancy narrative in fiction and film functions as a lightning arrester with the power to electrify all categories of fiction and film, from early melodrama (Method Down East) to noir (Leave Her to Paradise); from horror (Rosemary’s Child) to science fiction and dystopia (Alien, The Handmaid’s Tale); and from renowned (Lolita) to independent (Juno, Precious). Eventually, the pregnancy story in popular movie and fiction supplies a remarkably clear lens by which we can evaluate how popular American film and fiction express our most profound– and most personal– fears, worths and hopes.

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